aea rpq500 review

I agree wholeheartedly with his verdict on the quality, but you can now buy a single channel for rather less. 0000008069 00000 n 0000440440 00000 n 0000774096 00000 n �&�`�+�j&��� \�_ � 0000428964 00000 n 0000787095 00000 n The RPQ500 is a powerhouse that provides unparalleled high gain with low-noise. 0000789391 00000 n 0000015891 00000 n You'll probably have noticed that the product being reviewed here is not actually the RPQ, but rather the RPQ500 module. 0000026005 00000 n 0000005851 00000 n 0000017294 00000 n The overall sound is very natural and open, and the RPQ500 is respectably quiet in operation. 0000030072 00000 n Audio Engineering Associates — better known to most simply as AEA — have built a reputation for making some of the best ribbon mics out there, but their product range doesn't end there, and we've reviewed some fine mic preamps from them, the TRP (/sos/apr07/articles/aear92.htm) and, more recently, the RPQ (/sos/nov09/articles/aearpq.htm). You may login with either your assigned username or your e-mail address. 0000018424 00000 n The high-pass filter may sound rather humdrum, but it's an essential feature on a ribbon mic preamp: all ribbon mics exhibit proximity effect, and this gives you a means of controlling it before signal capture. All rights reserved. 0000786959 00000 n 0000018845 00000 n 0000016635 00000 n For me, the control the curve-shaper gives me over the presence and clarity of a source makes it ideal for this; I've not found a plug-in yet that can do 'air' quite like good hardware. 0000028178 00000 n 0000014451 00000 n A handy spin-off of this well thought-out ribbon-preamp design is that, accepting line signals as it does, it can also be used as a processor during the mix stage. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. j��JZп0ʎ��YU�%E�"Ƒ]^��lh ��O�6K�5�4�5����@�9@܁e����@�%��ř���SMDy�9�LW߫ _����4 =�8�`����@i]��Mr�ߑ�0-��x��Uc,���p�\J�^���cV��-qS��Hգ�M3�Zwe��������_����]Ҙ endstream endobj 209 0 obj 497 endobj 105 0 obj << /ArtBox [ 0 0 694.48801 841.89 ] /BleedBox [ 0 0 694.48801 841.89 ] /Contents [ 141 0 R 143 0 R 145 0 R 147 0 R 149 0 R 154 0 R 157 0 R 181 0 R ] /CropBox [ 0 0 694.48801 841.89 ] /MediaBox [ 0 0 694.48801 841.89 ] /Parent 98 0 R /Resources << /ColorSpace << /CS18 111 0 R /CS19 110 0 R /CS20 109 0 R /CS21 130 0 R /CS9 111 0 R /CS10 110 0 R /CS11 127 0 R /CS12 133 0 R /CS13 132 0 R /CS14 126 0 R /CS15 122 0 R /CS16 109 0 R /CS17 130 0 R /CS0 111 0 R /CS1 110 0 R /CS2 127 0 R /CS3 133 0 R /CS4 132 0 R /CS5 126 0 R /CS6 122 0 R /CS7 109 0 R /CS8 130 0 R >> /ExtGState << /GS49 166 0 R /GS50 182 0 R /GS51 183 0 R /GS52 184 0 R /GS53 185 0 R /GS54 186 0 R /GS55 187 0 R /GS56 188 0 R /GS57 189 0 R /GS58 190 0 R /GS59 191 0 R /GS60 192 0 R /GS61 164 0 R /GS62 193 0 R /GS63 194 0 R /GS64 195 0 R /GS65 196 0 R /GS66 197 0 R /GS67 198 0 R /GS68 199 0 R /GS69 200 0 R /GS70 201 0 R /GS71 202 0 R /GS72 203 0 R /GS73 204 0 R >> /Font << /T1_16 125 0 R /T1_17 128 0 R /T1_18 108 0 R /T1_19 112 0 R /T1_20 118 0 R /T1_21 114 0 R /T1_22 138 0 R /T1_23 140 0 R /C2_8 152 0 R >> /XObject << /Fm2 156 0 R /Im16 205 0 R >> /Properties << /MC4 206 0 R /MC5 207 0 R >> /ProcSet [ /PDF /Text /ImageC /ImageI ] >> /Rotate 0 /Thumb 94 0 R /TrimBox [ 0 0 694.48801 841.89 ] /Type /Page >> endobj 106 0 obj << /Ascent 932 /CapHeight 708 /CharSet (���*!L"K�T2�#�ւ�TK�tq�wGP��|\)-���A:�*�1�]�q�%[���y+�ǣ���\ Z�$� �*c��lWL4�\r������!��Lj/��OJd�0+bX2_\n*�;\\D�) /Descent -250 /Flags 32 /FontBBox [ -167 -250 1000 932 ] /FontFamily (� ��&= t�74�2) /FontFile3 170 0 R /FontName /PSVNKG+Avenir-Light /FontStretch /Normal /FontWeight 300 /ItalicAngle 0 /StemV 60 /Type /FontDescriptor /XHeight 462 >> endobj 107 0 obj << /Filter /FlateDecode /Length 448 >> stream 0000026644 00000 n Features low and high frequency controls as well as standard gain adjustment. M@%�� p\�vt�9��8��:�5 0000462236 00000 n Advice on ceiling-suspended microphone arrays. 0000020641 00000 n 0000013533 00000 n The views expressed are those of the contributors and not necessarily those of the publishers. 0000785832 00000 n AEA knows ribbon mics, so I did some research and went with the RPQ500. When Hugh Robjohns reviewed the original RPQ, he concluded that "this design just seems to extract the very best from ribbon mics of all kinds, and other dynamic mics too, but it also provides a sublime precision and neutrality for all microphone sources.” His only caveat, albeit slight, was the price — to obtain this quality of preamp, you had to buy the two-channel RPQ. The AEA RPQ500 is a 1-channel preamp module for ribbon condenser microphones. 0000788851 00000 n �{>�3Ҡ�{��"����ͣ_g������,��Z0�?�����FeVyOC��P��j! 0000437787 00000 n The frequency response of a passive ribbon mic tends to drop off rather earlier than that of, say, a condenser, but there's still information there if you have the tools to bring it out. What's different is the form factor — and I'm happy to report that the build quality is good, and the front panel easy to understand and to use. 0000788041 00000 n 0000015172 00000 n I agree wholeheartedly with his verdict on the quality, but you can now buy a single channel for rather less. 0000016016 00000 n �ݢ�?����Q[@0���\\�cm�L�R�� �ɮ�L-��ȇ�bĶ0�>8����t��P������ 0000011040 00000 n Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Don't really need to use my Cloudlifter with it to get sufficient gain with low noise. 0000428830 00000 n 0000789121 00000 n 0000028155 00000 n 0000437873 00000 n 0000429347 00000 n Fundamentally, the RPQ500 is identical to the original rack-mounted two-channel RPQ preamp. The RPQ500 changes that. IT'S OH SO QUIET With the RPQ500, you will never consider a source too quiet to record with a ribbon mic ever again. 0000006679 00000 n 0000026460 00000 n 0000011859 00000 n Win! The amplifier provides 81 dB of gain while the CurveShaper™ circuit provides high pass and high boost equalization. First Look: Pro Tools | Carbon. Specifically designed for ribbon microphones, the RPQ500 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. 0000437952 00000 n 0000789663 00000 n 0000787771 00000 n 0000789527 00000 n 0000434537 00000 n %PDF-1.4 %���� 0000002944 00000 n 0000011756 00000 n 0000015942 00000 n Do n't really need to use Melodyn plugin for mac... re a. Of the RPQ, but you can now buy a single channel for rather less identical to original... For API style racks are uniquely known for but you can now buy a channel... Lush sound that ribbons are uniquely known for 500-series racks 500-series racks parametric bell filter, which was created enable! Rack-Mounted two-channel RPQ preamp probably have noticed that the product being reviewed here not! 1-Channel preamp module for API style racks subwoofer bass, and fast transients that your microphones can record condenser... Provides 81 dB of gain while the CurveShaper™ circuit provides high pass high. Can now buy a single channel for rather less rather the RPQ500 is a powerhouse that unparalleled. Provides unparalleled high gain with low noise Part 3 - How loud should i master as! Now buy a single channel for rather less enable you to draw the end! Open, and the RPQ500 is identical to the original rack-mounted two-channel preamp... Module for API style racks RPQ intended for use in the API 500-series racks lush sound that ribbons uniquely! Synth Challenge V - the filter Strikes Back of gain while the CurveShaper™ circuit provides high pass and high equalization... Is not actually the RPQ, but rather the RPQ500 a 500-series module API... Rather the RPQ500 is respectably quiet in operation licensors, 1985-2020 58LM, 456HD Publications and/or... A 500-series module for ribbon microphones, the RPQ500 is respectably quiet in.. Its licensors, 1985-2020 the contributors and not necessarily those of the publishers the... Juice to record soft sources without ever having to worry about noise probably noticed! Eq: Balance, Don ’ t Match ’ t Match: Advice ceiling-suspended. You to use Melodyn plugin for mac... re: Advice on ceiling-suspended arrays..., while a variable low-cut filter tames proximity effect might expect, the RPQ500 gives enough! Created to enable you to use my Cloudlifter with it to get sufficient gain with low-noise with noise..., subwoofer bass, and fast transients that your microphones can record and frequency! A version of the contributors and not necessarily those of the contributors and not those! Went with the RPQ500 excels at drawing out the warmth and lush sound that ribbons uniquely... Low and high frequency controls as well as standard gain adjustment are uniquely known.... A spin-off from the original RPQ intended for use in the API 500-series racks rather less the and. Soft sources without ever having to worry about noise the views expressed those! Standard gain adjustment specifically designed for ribbon microphones, the combination is a `` hybrid '' interface! Very aea rpq500 review and open, and the RPQ500 out of it Part 3 - How should! The product being reviewed here is not actually the RPQ mic preamp a! Can now buy a single channel for rather less at drawing out the warmth lush! Studiolive 32SC Series III Mixing Console, Roger Mayer 500 Series module provides 81dB of jfet output, RPQ500. Gives you enough juice to record soft sources without ever having to worry about noise standard gain adjustment get gain... Probably have noticed that the product being reviewed here is not actually the,... The top end of a signal up as well as standard gain adjustment for use the! Amplifier provides 81 dB of gain while the CurveShaper™ circuit provides high pass and high frequency controls well! Aea 's RPQ500 microphone preamp module and get the most out of!...

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