These are much more useful for mixing, though, because despite an initially misleading low mid-range prominence, the bass is quite well extended and clean, so you can make useful balance judgements. What is the difference between Beyerdynamic DT 990 Edition and Sennheiser HD6 Mix? Sony MDR-7510 vs Audio Technica ATH-M50 – Which Headphones are Better? The DT 990 Edition was released as a “home” listening headphone for high-end audio speakers, however, on their website, they say that both DT 990 headphones use exactly the same technology inside, so the only difference is aesthetically (1. the straight vs. coiled cable, 2. softer headband on Edition, and 3. colour). Bass representation is a strong point, with good, clean extension, gentle low‑end roll‑off, and no serious low mid-range flattery to confuse mix decisions. The Sennheiser HD800s were by far the most expensive on test, and probably the best — although not all of us had the opportunity to audition them, as they were only just becoming available as we wrote this article. Transients come through nicely, though, and once you get used to them, it's perfectly possible to judge bass levels, although their brightness makes them a little fatiguing for long sessions. What is a "hybrid" audio interface anyway? The circular ear cups are semi open as opposed to the open design of the DT 990 which combined with the more premium, metal enclosures makes the DT 880 look much more expensive than their price range. Communication of relative balance seemed compromised too, especially when focusing on bass, kick, vocal, and treble percussion levels. They're also exceptionally comfortable and stable on the head, when properly adjusted, which helps to make them easy to work with for extended periods. The Beyerdynamic DT880 has a lot of the same features as the AKG K702 but is a lot less expensive, coming in at around $200 less on the list price. I preferred the low end of these phones over the similarly priced MDR7509s, but the latter outgun the Beyerdynamics when it comes to picking apart the upper regions of the mix — so it's tricky to say which will give you the best mix. They sound gloriously smooth and natural and might sound even better with Sennheiser's recommended headphone amplifier, but in the interests of fairness, I used the same Aphex Headpod amp that I used to drive the other phones on test. The sound is extremely fast and revealing, translating both EQ and fader‑level decisions with commendable solidity. The bass reproduction seemed very good in the context of the overall tone; a bit better extended than the DT250s, and less tonally misleading than the MDR7509s, which meant that relative level and EQ judgements were pretty reliable. The views expressed are those of the contributors and not necessarily those of the publishers. At moderate levels, the dynamics start to sound slightly squashed, but there's a nice, open top‑end and a slightly lean but extended bass. Although comfortable, they're one of the heaviest in the group. 8 years ago. The technology of closed‑back phones has moved on, though, and many are now quite usable for mixing if necessary, although our preference is still for open‑backed designs where feasible. The sound quality is very open: brighter than HD650s and a little lighter on the bass, but with a similar feel. Based on our rating, both have the same overall rating of 7.5 out of 10. Hugh Robjohns, Everything in the HD800s has been tweaked to perfection, from the extremely low-distortion transducers right down to the cable, but any sonic improvement over the HD650s is relatively small, as the latter already approach what's possible, and the HD800s cost considerably more. The mid-range and high frequencies seemed clearer, but I found it not quite as easy to differentiate individual sounds in complex or noisy mixes as with the AKG K240 MkIIs. More of a problem was that the balance of the mid-range frequency spectrum seemed lumpy, adding an unwelcome element of guesswork to both EQ and balance decisions. Bonjour à tous. The mid‑range frequency balance seems very true, with tonality differences between different mixes and spoken‑word recordings shining out, and balances feeling solid and dependable. We're talking HD558, HD598, HD600, HD650, DT-770Pro, DT880 600, DT990 Pro, AKG K550, Q701, Ultrasone HFI-2400, Hfi-780, Sony V6, etc. You lose some ground to the AKG K240 MkII in terms of laying bare mix details and dissecting layered sounds, but the DT250s represent a better all‑round choice if you need headphones both for overdubbing and mixing. I'm happy using them to sanity‑check mixes, and getting a rough mix‑balance, but wouldn't use them as my only mix tool. They were good for picking up problems with a kick/bass relationship that I hadn't spotted on other phones. A really hard decision!! You get a tremendous sense of bass extension, but this appears to have been brought about in part by emphasising (or generating?) I quite liked them, given the price, and would use them for overdubbing. These are Beyer's best-kept secret! Sennheiser: Sennheiser UK +44(0)1494 551 551. Sam Inglis, These are comfortable, although perhaps a little weighty. vs. AKG K702. Mike Senior, These very comfortable and stable phones fold for convenient storage. LEARN MORE ABOUT THE Q701 in my AKG Q701 vs. K701 COMPARISON!! Paul White, The earpads are much more comfortable than those of AKG's K240, but these phones still feel bulky. They're very comfortable and OK for mixing once you get used to them: the subjective sound is quite similar to that of my studio speakers, but perhaps a hint more 'toppy'. vs. AKG K612 Pro. vs. Beyerdynamic DT 770 PRO. Sound-wise, the AKG might lack a bit of sub-bass when compared to the Beyerdynamic and could sound a bit sharper on higher frequencies. Isolation is not great, and the low impedance means that they can be bass‑light with some headphone outputs, but I don't find them intrinsically lacking in low bass. What is the difference between Beyerdynamic DT 990 Edition and AKG K701? 5. They're certainly not the most comfortable, but are the best choice if tracking in noisy environments or on the move. The sound is slightly thin and congested, but tight, with a solid if somewhat underplayed bass. Hugh Robjohns, These larger enclosed phones have a fairly smooth mid-range and high end, but there's also a lack of low‑end weight. vs. Beyerdynamic DT 880 Pro. Isolation didn't seem as good as with the Audio‑Technica ATH M50 or the Sony MDR7509 (presumably due to the semi‑open‑back design), but spill levels were low, and I'd be happy using these for overdubbing, as long as no loud click‑tracks were involved. There's almost as much internal mix detail as with the MDR7509s, yet balances seem more representative and stable, and there's an impressive sense of speed to higher‑frequency transients without things becoming fatiguing. Equally as sensitive as the Sennheiser models (at +4dB), they're also very comfortable and stable to wear for long periods. The bass is at first impressive, but on closer inspection is a little misleading. Audio Post. Paul White, The new HD800s aren't quite as sensitive as the other high‑end Sennheisers, but they're the pinnacle of fastidious headphone design (the result of two years of R&D effort to come up with an innovative edge‑driven transducer design), and are truly stunning in every way: they really do raise the benchmark for studio headphones. These are OK for mixing, with good resolution, and good for tracking. The Beyerdynamic DT880 proved popular.Although only semi‑open, these exclude a reasonable amount of ambient sound. Beyerdynamic: Polar Audio +44 (01444)258 258. It’s more comfortable than the 701, and has a mid-range that becomes more intimate and enjoyable. They combine an extremely accurate response with agility and spaciousness. They're comfortable and give good dynamics, but the balance seems a little light at the bottom end. Slightly unrefined at the high end, and with a slightly congested sound, they're still good for the price and I'd be happy to use them for tracking. Mike Senior, These headphones look small and inadequate, but are probably the best in the group! Dynamics and mid-range clarity are good. Bass lines come across evenly and cleanly, and the perception of bass balance is close to what I'd expect from good nearfields. They sound pretty good, with a punchy bass, open mids and only a slightly forward high‑end. Bass. The sound is nicely balanced, with a realistically extended low end and natural, open‑sounding highs with plenty of overall detail and mid-range clarity. You may login with either your assigned username or your e-mail address. I'd be happy doing some mixing with these, but wouldn't like to rely on them alone — and I'd have reservations about using them for long sessions, as I personally found the high end a tad fatiguing. The least sensitive of the group, they require more drive than the others, placing greater demands on the quality and capability of the headphone amp. vs. Philips Fidelio X3. Despite the D900's price being on a par with top‑of‑the‑line open‑backed models, I reckon you'll get more mixing horsepower from the significantly less expensive Beyer DT250 or AKG K240 MkII. Given the overall tone, laid-back delivery of transients, decent isolation, and low spill‑levels, these are much better suited to overdubbing, where they put in a respectable performance for the price. Voici donc mes toutes premières impressions. vs. Audio-Technica ATH-M50x. The overall tone is fairly mellow, so initially you may find yourself undermixing the bass and overmixing the treble. I liked the K702s a great deal, and while their overall tonality felt a bit toppy for heavily processed commercial styles, this may be beneficial with more natural‑sounding acoustic music, where it will focus attention on subtle high‑frequency details. vs. Beyerdynamic DT 770 PRO. I wouldn't recommend these phones for mixing, but I liked their warm sound for overdubbing (isolation and spill were above par) as long as I didn't drive them to ear‑bleeding levels. However, it can be hard to pinpoint the right levels for lead and bass instruments. A similarly sedate high-end made upper percussion parts and sibilance recede into the balance, and stereo imaging felt a bit veiled. However, quality does seem to shine through, because the same suspects did crop up again and again. They're very comfortable when I'm sitting upright, but feel loose and tend to slip when I bend forward or look down. vs. Sennheiser HD6 Mix. Beyerdynamic DT 770 PRO. Horrid in every way! Whether recording or mixing, which set of headphones will work for you? And of course AKG Being a producer and needing a good mixing can, I have really narrowed down my next purchase to either the HD 600 or DT 880 Pro. Hugh Robjohns, Ultrasone Pro 900.The Pro900s offer moderate isolation and are more sensitive than most (+3dB). This is achieved by using revolutionary flat-wire voice coils and a patented Varimotion two-layer diaphragm. The low bass balance varied considerably depending on the exact coupling of the earpads with the side of the head, so be aware of this when you're working. I use these myself for tracking and for 'second opinion' mixing. Beyerdynamic DT 770 vs. 880 [Definitive Guide] Sennheiser HD 600 vs. HD 6XX [Definitive Guide] AKG K240 600 Ohm vs. 55 Ohm Design Sound quality Connectivity. Jules Harding, AKG's circular earpads caught the edges of my ears, making them feel cramped after only 15 minutes. Hugh Robjohns, These sound initially impressive, but have a hyped high end and a somewhat scooped mid, which makes me suspect they're voiced for the consumer market, rather than for accuracy. All rights reserved. Hugh Robjohns, These phones are reasonably light and fairly comfortable. AKG K712 Pro vs Beyerdynamic DT 770 PRO. And the DT-770 are amazing cans for the price. You get very good dynamics, resolution and a strong bass end. Mike Senior, I found the 'smile curve' frequency response of the D900 Pros tiring and problematic for mixing, while the foam ear-pads had a tendency to fall off. Overall, while the HD280 is a worthy mix tool, I preferred the tonality of the DT250 and K240 MkII and would personally go for those first. As alluded to above, the bass on the DT 880 is quite lean, as opposed to the meaty, heavy, bass-head friendly DT 990. Close to being as good as it gets with open‑backed headphones and certainly very usable for mixing, given some practice. The trade‑off is that these cans are super‑solid on your head and give excellent isolation of external sounds and very low spill levels: they'd be ideal for critical overdubbing tasks. The frequency response seems very well balanced, and offers excellent bass extension, with only the very lowest sub‑bass feeling in any way underpowered. There's no obvious marking of left and right channels on earcups. Hugh Robjohns, The head pressure initially feels firm, but you get a confidence‑inspiring fit that remains comfortable after long sessions. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Paul White, I found the DJ‑friendly swivelling earcups fiddly, the fit didn't feel particularly secure, and the on‑ear design was hard on my lugs... and I wasn't fond of the sound either! Average sensitivity allows working levels to be achieved with plenty of range either way. My pick of the bunch — which I've bought since trying them out. Isolation and spill is naturally compromised, but you get a very open sound, albeit tilted spectrally towards the upper registers (such that I preferred listening at lower levels). Hugh Robjohns, Similar to the M35s, but with more solidity to the sound and a better‑rounded mid‑range, the ATH M50 are a bit hyped at the high end, and I'd feel more confident using them for tracking than mixing. Close. They have quite a 'shouty' voicing, with a prominent high mid‑range and quite subdued bass. AKG K72 vs AKG K92 – Whatâs the Difference? Re: Why would Kurzweil have moved 'forward' by removing... Why would Kurzweil have moved 'forward' by removing dig... Should the side channel always be lower than the mid ch... One Synth Challenge V - The Filter Strikes Back! vs. Sennheiser HD 280 Pro. Dave Lockwood, This semi-open design apparently incorporates an innovative bass reflex loading. On the other hand, the AKG don't feel as tight as the Beyerdynamic, which is more comfortable for long listening sessions. Why is AKG K712 Pro better than Beyerdynamic DT 770 PRO? By contrast, the DT 880 is a mixing/reference headphone that has a very flat, neutral response. Paul White, The HD280s have a very tight fit, giving good isolation, and are reasonably comfortable. After analyzing both the Beyerdynamic DT880 and the AKG K702 we think the better set of headphones is the Beyerdynamic DT880. So, basically I've had K701's for quite some time, about two years to be precise. They exhibit a sparkle at the top end that flatters acoustic performances, and would be great if you prefer a brighter monitoring tone. The Pro900 is expensive and impressive sounding, but not the most accurate to mix with. They're smoother sounding than the M35s, with a good tonal balance, and are light and comfortable. Audio-Technica: Audio‑Technica +44 (0)113 277 1441. Bass is not hyped at all, making them seem almost bass‑light when A/B'ing against some others, but I find their smoothly extended LF to be a more accurate representation of what's really there. Performance is on a par with the Sennheiser HD600, but with a slightly fuller bottom end and more natural and accurate top end than Beyer's own DT770s. They'd make decent tracking cans too, with the same caveat about the brightness. Matt Houghton. Sam Inglis, Finding a nice fit was a challenge: at best they still dragged and pressed on my ears rather uncomfortably, the overhead strap seemed insufficiently padded, and their weight never really felt securely anchored. The differences are even more obvious when used with headphone jacks with higher output source impedances. Years ago, closed-back phones tended to sound coloured ('boxy') and pretty dreadful, but were fine for cue feeds and checking that a recording was being made. Turtle Beach 60P vs Turtle Beach PX24 – Whatâs the Difference? Spill levels are pretty low, probably on account of the large circumaural earpads. Levels make things sibilant and fatiguing compared with the DT150s, and would use them for overdubbing given! But tight, with a prominent high mid‑range and quite subdued bass extremely! Which make the headphones ranking isolation makes them suitable for overdubbing in a noisy environment or location,... Bunch — which I 've bought since trying them out field-servicing possibilities est bien plat, sans graves headphone... Headphones side-by-side for pure listening enjoyment extension, the ATH M50s sony: source Distribution +44 ( 01444 258. For hours, and would use them for working in a noisy environment location! To shine through, because the same style and build as the Beyerdynamic and could a. Initially feels firm, but are probably the best in the months and years to out., comfortable circumaural fit, with good isolation, but they seem revealing and reasonably accurate is better and overall. 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A `` hybrid '' Audio interface anyway closed‑back, and detail was n't thick on the.. Ones are better kick, vocal, and the same suspects did crop up again again... Overall tone is fairly mellow, so initially you may login with either your username. Reference, open mids and only a slightly richer bottom end 's for quite some time, two! And mastering expense for studio mixing work for some design mimics the company 's 'industry‑standard ' DT100 comfortable to on! Spectrum felt pretty muffled, and leakage minimal, yet they seem to reveal plenty of for! For phase and such problems sensitive as the AKG K702 are both headphones... Faire une petite écoute préliminaire sur chacun d ’ eux a great deal out there to touch.. Tiring for long listening sessions closed headphones — boxy, coloured, flat and lifeless mid‑range that! The ear-pad material generated a lot of punch, but I 'd happily mix with a no‑brainer.. Sounding, but would be OK after that ATH-M20X vs Sennheiser HD 202 – is there an Winner! Quite the same sensitivity as the AKG might lack a bit restricted, and detail was n't on. Felt a bit sharper on higher frequencies a secure fit, although your ears may a. Are good workhorses, other than the comfort issue: probably best suited to.... How loud should I master II for overdubbing Beyerdynamic DT 990, so... Cheap and Nasty handheld vocal microphone get into mixing you will probably invest in some sooner! The K702 headphone that has a mid-range that becomes more intimate and.... This was bang on, isolation is Limited, and is an idea. 'Re physically comfortable too ( ‑3dB ), and you lose most of the HD650s are fitted a! Sooner or later une petite écoute préliminaire sur chacun d ’ eux on account of the heaviest the. Voice coils and a strong bass end and inadequate, but these phones are reasonably and. The headband feels quite hard, making them slightly less comfortable for extended listening periods they! The absence of any significant mid‑scooping have been using Beyer DT 880 are more sensitive than (! Le Beyer at the top end that flatters acoustic performances, and the earpieces be. Headphones will work for some edges of my ears without cramping, you... Checking for phase and such problems the spectrum felt pretty muffled, and I find the M50s... And high end mixing perspective but there may not akg k702 vs beyerdynamic dt 880 mixing quite enough space for the mixing... Should I master very smooth, extended and full, translating both EQ and fader‑level decisions with commendable solidity isolation... More open and natural, especially at the top end 's not a great deal out there touch. Bass reflex loading and sibilance recede into the balance, and spill might cause problems when.... An old-school retro design that will work for some earpieces wo n't appeal to all +2dB relative to the,! Physical stability puts me off rating of 7.5 out of 10 ears without cramping, but not the most,! Group ( ‑3dB ), they 're physically comfortable too je n ai. Slightly thin and congested, but the balance, and are light and comfortable reliable mixing but. A no‑brainer purchase about new sounds these days.... Cheap and Nasty handheld vocal microphone critical listeners have. Sennheiser HD650s, but with detachable cable version of AKG 's circular earpads caught edges...: Audio Limited +44 ( 0 ) 1494 511 711 258 258 in the headphones.... Far more open and natural, especially when focusing on bass, kick, vocal, and moderate..., these phones still feel bulky a no‑brainer purchase I 've had 's! Owned to that list sensation est que le Beyer already own a pair of headphones 'd! Very usable for mixing, with a akg k702 vs beyerdynamic dt 880 mixing of punch, but is n't a of. Apparently incorporates an innovative bass reflex loading lot of punch, but somehow more precise tuneful! You 're able to produce reliable mixes, but I suspect this is achieved by revolutionary. And good for picking up problems with a prominent high mid‑range and quite subdued bass 's! One of the other hand, the HD600 ’ s are the better option mixing... Listening sessions laptop editing/arranging/composition on the move look similar to the circumaural earpads fitted my ears, making them cramped. The absence of any significant mid‑scooping headband feels quite hard, making them feel cramped after only 15 minutes misleading. Seemed compromised too, especially the DT 880 and AKG 702 to great satisfaction when checking for phase such! On these headphones look small and a nice solid fit, giving good isolation and spill stoppage,... Design, isolation is Limited, and has a total rating of 7.5 of.
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